I have finally actually seen Hamlet (the Gibson version, courtesy of Minipoppy). As is often the case with Shakespeare plays, I actually only follow about half of it when I'm not paying close attention, but that's enough to get an impression about what is interesting about the play.
What stood out to me was how many different sayings come from Hamlet, not just references people know, like "to be or not to be" or "alas poor Yorick" addressed to the jester's skull, but phrases that I hadn't thought about where they'd come from, but (I assume, unless they're attested from the bible) were first attested in Hamlet, like "Neither a borrower nor a lender be" and "the play's the thing [Wherein I'll catch the conscience of the King]"
And now I actually remember which of the non-Hamlet characters are which.
Whenever I see Shakespeare, whether the story inherently makes sense or not, I'm left thinking what I'D do with the story, which I attribute to how many strengths the stories have, whether or not they also have problems. What Hamlet made ME think of was A Beautiful Mind, where both main character sees visions which, to them, are as real as everyone else, yet knows they're different somehow.
That's almost certainly not consistent with all of the original text, but is what the film made me think of. Try to tell what is vision and what is reality. After all, imagine two members of your family A and B. If B says A is a murderer and you have to kill them, and A says B is your imagination, how would you feel? Would you kill A? Ignore B? How would you try to tell the difference?
From that point of view Hamlet's hesitation makes perfect sense: if you have a voice in your head telling you to do something, how CAN you trust it?
What stood out to me was how many different sayings come from Hamlet, not just references people know, like "to be or not to be" or "alas poor Yorick" addressed to the jester's skull, but phrases that I hadn't thought about where they'd come from, but (I assume, unless they're attested from the bible) were first attested in Hamlet, like "Neither a borrower nor a lender be" and "the play's the thing [Wherein I'll catch the conscience of the King]"
And now I actually remember which of the non-Hamlet characters are which.
Whenever I see Shakespeare, whether the story inherently makes sense or not, I'm left thinking what I'D do with the story, which I attribute to how many strengths the stories have, whether or not they also have problems. What Hamlet made ME think of was A Beautiful Mind, where both main character sees visions which, to them, are as real as everyone else, yet knows they're different somehow.
That's almost certainly not consistent with all of the original text, but is what the film made me think of. Try to tell what is vision and what is reality. After all, imagine two members of your family A and B. If B says A is a murderer and you have to kill them, and A says B is your imagination, how would you feel? Would you kill A? Ignore B? How would you try to tell the difference?
From that point of view Hamlet's hesitation makes perfect sense: if you have a voice in your head telling you to do something, how CAN you trust it?