Peracles!

Aug. 6th, 2018 05:18 pm
jack: (Default)
Liv and I wanted to see one of the Cambridge Shakespeare plays this summer. The selection didn't have many we really wanted to see, so we ended up seeing Peracles, and I'm really glad we did.

Cambridge Shakespeare have often made some of the lesser-known, honestly less good plays really fun, and that's what they did here. Pericles is described as "at least partly by Shakespeare": I think roughly the "Pericles sails around having adventures" is by someone else, and "everyone is lost at sea and thinks each other dead, then, surprise, they're reunited without knowing who each other are" is by Shakespeare :)

Antioch

It starts off with Pericles, prince of Tyre (eastern Mediterranean), visiting nearly Antioch (just to the North). The king has a beautiful, accomplished, and widely admired daughter, but is violently protective of her, and has decreed that no-one may court her unless they answer his (secret) riddle, but if they guess wrong, they will be executed.

Pericles rocks up, says, "that sounds like a good deal", and then SURPRISE, it turns out NOT to be a good idea.

(Content Warning: incest mentioned in next paragraph)

The riddle turns out to be, basically, "incest, but in verse form". Pericles explains at length to the audience that answering the riddle will cause the king to have him executed out of hand just as much as failing to answer. Instead, he *hints* that he knows, but asks for more time to think about it.

For some reason, the king, ashamed of his sin, and equally willing to execute suitors for guessing, or not guessing, the riddle, is too embarrassed to have him executed for *maybe* guessing the riddle, and agrees to the delay.

Pericles wasting no time, as soon as he's outside the palace, immediately flies back to Tyre.

The king is outraged by this deception, and -- belatedly -- sends an assassin after him.

Tyre

The narrator was amazing. She was dressed up like a cross between a headmistress and a clown, lecturing the audience about all the things they were supposed to know. The back of the stage had a chalk-board divided into six sectors with all the relevant places on (including "the sea" with waves) and a little pointer which span round. Whenever the narrator announced a place, she turned the pointer, and whenever the scene changed without narration, she came on stage to turn it, or crept up from behind, just to keep everyone oriented with where they were.

Pericles immediately sort counsel with his Loyal Underling Ruling In Pericles' Absence Whose Name I Forget. LURIPAWNIF said, running away had been a smart move, well done, but maybe having announced yourself as "Pericles of Tyre" don't just sit around in Tyre waiting for assassins, but make like Sir Robin and split.

I was positively convinced this guy was going to stab him in the back or something, but no, he was genuinely committed to ruling Tyre fairly, but letting Pericles have all the glory and handing everything back to him whenever he turned up again. Later on, we have a brief scene in Tyre where various nobles call on him to have the crown, and he says, no, wait five years before we give up on the Big P.

Pericles takes the advice and takes some ships and men and sails off for adventure.

And by "adventure" we apparently mean "loading up with grain and sailing somewhere with a famine".

TBC.

Hamlet

Jun. 22nd, 2010 02:22 pm
jack: (Default)
I have finally actually seen Hamlet (the Gibson version, courtesy of Minipoppy). As is often the case with Shakespeare plays, I actually only follow about half of it when I'm not paying close attention, but that's enough to get an impression about what is interesting about the play.

What stood out to me was how many different sayings come from Hamlet, not just references people know, like "to be or not to be" or "alas poor Yorick" addressed to the jester's skull, but phrases that I hadn't thought about where they'd come from, but (I assume, unless they're attested from the bible) were first attested in Hamlet, like "Neither a borrower nor a lender be" and "the play's the thing [Wherein I'll catch the conscience of the King]"

And now I actually remember which of the non-Hamlet characters are which.

Whenever I see Shakespeare, whether the story inherently makes sense or not, I'm left thinking what I'D do with the story, which I attribute to how many strengths the stories have, whether or not they also have problems. What Hamlet made ME think of was A Beautiful Mind, where both main character sees visions which, to them, are as real as everyone else, yet knows they're different somehow.

That's almost certainly not consistent with all of the original text, but is what the film made me think of. Try to tell what is vision and what is reality. After all, imagine two members of your family A and B. If B says A is a murderer and you have to kill them, and A says B is your imagination, how would you feel? Would you kill A? Ignore B? How would you try to tell the difference?

From that point of view Hamlet's hesitation makes perfect sense: if you have a voice in your head telling you to do something, how CAN you trust it?