jack: (Default)
This is something that is likely obvious to other people but appeared in my head and I couldn't easily put into words.

Often, when plot happens in a book, it feels like it kind of comes out of nowhere. It feels like (and maybe was) that the author had written a note that at that point "then the main characters have a big argument" or "then the assassins guild attack them". And then that's what happens. Even if it feels out of character or doesn't make sense with what happened before.

But if instead, I think of it as, "X resents Y for foo but doesn't admit it as long as bar" and "Y thinks X is bad at baz but doesn't want to say so" and "the assassins guild put a bounty on them but have't found them yet", then that typically shows through in previous scenes, naturally creating some amount of factual or thematic foreshadowing.

Like, instead of the current status quo being a natural peaceful state and each plot development being instigated by a new impetus, imagine the status quo is an equilibrium between many opposing forces, both internal to the character (what they want to do, what they're scared of) and external (other factions, things that will likely go wrong, etc). And then every event occurs naturally if you just knock the situation off balance a bit, without needing to contrive new forces of motion.

Also, if the characters have a smaller number of motivations they pursue through many situations, it feels more like a whole plot instead of a series of coincidences.

Roleplaying

If anything, that's probably even more important in roleplaying, and was the way I was thinking of roleplaying scenarios even if I didn't put it in those terms. If you have an overall force pushing the players towards the main antagonist (revenge, macguffin, curiosity, he's hunting them down, whatever), and a force pushing them away (typically, "he's too tough"), then the scenario will likely end up with a big showdown somewhere even if it goes off the rails at every intermediate point. If the momentum is already in that direction, it's easy to improvise some of the details, e.g. they don't know where he is, all you need to do is drop an appropriate clue.

But if you don't have existing motivation shared and understood by the players (often subconsciously), then every event feels tacked on, with the players constantly looking for clues what they're "supposed" to do.

Caveats

Obviously, this is just a way of thinking, it's not actually a solution. And even if you do show problems coming they can feel fake: you repeatedly show a characters' anger, but the reader doesn't accept it and is shocked when it bubbles out of control; or you repeatedly reference the risk of death from something, but without even small consequences, it doesn't feel "real" and when it actually kills someone, it feels "unfair".
jack: (Default)
I've read several examples of sociopathic characters in several different books, and been left with a bunch of thoughts.

Read more... )
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When I was talking about prompts I used the word "spirituality", and simont asked what I meant by it, and I realised that what I really wanted was to spill the religion post onto another day.

Last post, I think I described what I didn't believe about religion. Basically, "anything supernatural".

However, I've recently been feeling that there's something I want to explore but I'm not quite sure what. Partly that I know more people who believe in God, but in total have beliefs really similar to mine, and I want to understand that. And partly that I've been thinking in terms of spiritual health, not in terms of a supernatural spirit, but in terms of "being aware of myself" and "giving up being scared of things I'm scared to try" and of "actually doing things I always felt I should do" and generally becoming healthier as a whole mind. And basically everything that is (I think) part of the mind, but in how the mind itself works or doesn't work, not in how it represents facts.
jack: (Default)
Seekingferrett asked what I enjoyed about Liv's Talmud stories.

Several things, which I've noticed before I hadn't consciously thought through until I started making this list :)

I love the process of taking a story and considering possible interpretations, different messages, etc, etc. I'm naturally cautious of the idea that there's a "right" answer I'm supposed to agree with but might not, but with Talmud stories, Liv has always encouraged me to plunge in, and shared her interpretations, and many standard interpretations, but emphasised that they're supposed to be a starting point, not an ending point.

My background is vaguely CoE-y, and I am also interested in the ways Talmud stories differ in basic background assumptions to Christian stories I'm vaguely familiar with, at least as they were presented to me when I was young. Like in Liv's story about hiding in the furnace, there's an assumption that Mrs Ookba was given a miracle because of her good works. In a Christian story, the miracles would usually come to someone who had faith in God, in various ways. But in Talmud stories it can be completely different -- through scholarship, as essentially morally-neutral magic; through God's will or whim; through deserving it.

And I love that Liv is always interested when explaining them, that she is so eager to share things with me when I want.

And maybe, that's it's just impressive that there's a chain of scholarship from a very long time ago when these stories first started being studied, to me, now.
jack: incredipede (incredipede)
I only slowly realised, I rarely look at people's eyes. I don't do it deliberately, I just subconsciously look away in case it feels awkward. But it means partly, I'm bad at looking friendly.

And partly, I never notice what people's eye colour is, or where people are looking -- both are things that I know, in theory, I ought to know, but I never actually *notice* about people.
jack: (Default)
If you say you trust someone what does that mean? That you trust their integrity, not to deliberately take advantage of you? Or that you trust their competence? Or that you trust their self-knowledge of their own level of competence?

It seems a common sitcom moment that people take "trust" to mean, "if someone is important in your life, you must automatically believe everything that comes out of their mouth, however ridiculous". Which seems obviously a bad idea.

But I think I'm also worse-than-average at inferring whether or not I _should_ take something on trust, that someone hasn't explicitly stated.

It's like, suppose someone offers to post an important letter for you. I think it's reasonable to assume they wouldn't take it as far as the postbox, then choose to crumple it up and throw it away instead of posting it. But is it reasonable to assume they'll REMEMBER to post it? If they SAY they'll remember, is it reasonable to assume they're right? Do you have the same idea of how important it is that it's posted TODAY? For some people, it goes without saying that DO know how, and doubting that is insulting their competence. But it's also true that basically everyone THINKS they can post a letter, but many of us also assume "oh, I forgot and did it tomorrow" or "yes, but I spilled some beer on it" are equally good. So, I always want to clarify, "do you actually have good evidence for the level of certainty I wanted, or did you just assume that you could do it 'well enough'"? But that always comes across as "don't trust you", because we assume that we SHOULD be competent enough, and someone doubting us is assuming (a) we're untrustworthy or (b) we're so stupid we don't know whether we can perform a common day-to-day action or not :(
jack: (Default)
A thread on a message board asked, if you went to a university, who was the most famous person who studied there[1]. There were similar questions for "who's the most famous person from the town you were born in"?[2]

I thought "there must be really good answers for Cambridge". And then I hesitated -- who is the most famous? Especially considering that people I consdier famous other people often have never heard of and vice versa.

Hawking? Newton? Darwin? I think Darwin is probably one of the most famous scientists

Cromwell? I'd think so, but I bet he's comparatively unknown outside Britain and Ireland.

Prince Charles? Is he more famous than Charles Darwin? He probably is in Britain, but I don't think he'd win outside if he's not King yet. There must have been other famous monarchs, but which?

Is there an obvious best answer?

What about other famous universities?

Footnotes

[1] I think you can count "taught there". But not "had a college named after them" else Jesus and Wolfson would win every time :)

[2] I think Worcester is most famous for (1) being pronounced differently to how it looks, (2) Worcester sauce and (3) the end of the british monarchy. Except no-one seemed to have heard of #3 :)
jack: (Default)
Dear 15-month ago Jack

Ooh, thank you for making that code clean and appropriately commented, I wasn't sure you were up to that, but that was ever so useful!

I'm sorry for all the times I shouted at you.

Hugs,

Love Jack
jack: (Default)
I recently read another essay looking for a way of explaining that "Straight white males on average acquire more/better opportunities than non-straight non-white non-males in similar situations" without raising the defensiveness many people experience when talking about privilege.

It used the metaphor of "Some people are playing life on 'hard' difficulty and some on 'easy', but we didn't get the choose the difficulty level". Link:

http://whatever.scalzi.com/2012/05/15/straight-white-male-the-lowest-difficulty-setting-there-is/

However, I was reminded of another of Scalzi's essays that I found very moving, on being poor. I found it very effective, and it also seemed to attract much much less defensiveness. It was a list of things that people experience, starting something like:

"Being poor is getting angry at your kids for asking for all the crap they see on TV"
"Being poor is hoping the toothache goes away"
Etc, etc

But I wondered, would it have been better if it had started by saying:

"Not being poor is not panicing when your kids for ask for all the crap they see on TV"
"Not being poor is being able to go to the dentist when you have toothache"
Etc, etc

I think that would make people MORE defensive.

It seems like most explanations of privilege start out by telling people "you can get on a train without wondering if you'll be groped/harassed by police/unable to get up the steps" and leave it implied that other people can't, but I think it's perhaps the second half that needs to be emphasised. Most men already KNOW they can get on a tube train without worrying about being groped -- the relevant piece of information they're missing is that half of the human population can't. And yes, everyone SHOULD know, so it's fair to vent that some people just don't get it. But if I'm genuinely trying to get someone to "get it", might it be advantageous to put the thing they're missing up front in every paragraph, in big letters, spelled out in words of one syllable?

It seems to me "privilege" can be absolute or relative. You can say "people whose parents are landed gentry are privileged" or "people who live in the UK are privileged compared to many other people". So saying someone is privileged because they're white is implicitly making two assertions:

(a) that they have some opportunities that would be harder or impossible if they weren't
(b) that people who don't have those priveleges are the correct "baseline" to measure privilege against.

Now, people assuming that straight white males are the "baseline" default sort of person and everyone else falls short is indeed a systematic problem in society. But if you're trying to get someone who isn't familiar with the ideas to "get it", it seems like presenting them with the fairly objective facts about (a), as in the "Being Poor" essay, and inviting their humanity to empathise, is likely to be more effective than saying "OK, humans have a natural tendency to think of themselves as 'baseline' but that tendency is WRONG WRONG WRONG and you should think of someone without any 'privileges' as the baseline for comparison", even if that makes sense.

I notice that the same problem can occur even between two people who DO know the terms. If person from non-straight-white-male-group-A is talking to person from non-straight-white-male-group-B and avers to something that B has easier than A, people instinctively take that as saying that B has it easier in general (and get very cross if that's obviously not true). Even thought according to the literal definition of the concept of privilege, it's just as correct to say there is a (quite small) amount of "Black Privilege" of things black people can do that white people find a lot harder, even if "White Privilege" is thousands of times bigger.

Conclusions

My questions are, is the distinction between "you are privileged" making me defensive and "you are privileged compared to most people" making my empathetic one that only applicable to me, or am I right that most people react the same way?

Secondly, do you think it would work if more "what it's like to have white/straight/male privilege" essays instead focused on telling people what it would be like if they didn't? Do you think it's harmful if postponse the question of the baseline and just start by establishing the large relative difference?
jack: (Default)
There is always a continuum when people warn that something contain spoilers. Most of the time, I default to a stance of "I care about important stuff, but normally minor details and general plot outlines are ok". That reflects how I like to read/watch something: normally I'm happy to know that level of detail beforehand.

And for some things, I'm likely never going to read it, so the risk that I'll later want to, and regret hearing about it, is very low.

Conversely, for latest episodes of things I've been avidly following, I really really don't want to know. Not even not-spoilers like "there's a big twist at the end but I'm not telling you what it is" or "Hey, the previous comment was a spoiler, wasn't it? :)" Yeah, normally those don't matter, but if you're following something carefully and know the writing style that's often enough to give away something major early.

Of course, the trouble is that although sometimes these categories are the same for different people (eg. many people care about something newly released, few people care about something really old unless it has a very specific twist), sometimes they're not, and it's too much hassle to have SEVERAL levels of warnings for "OK, this bit has MINOR spoilers, this bit has MAJOR MAJOR spoilers, etc, etc" and people don't always guess right. I think it's probably still best to take the best guess you can (generally avoiding BIG BLATANT SPOILERS in eg. headlines, but sometimes making spoiler-free posts and sometimes making minor-spoiler posts depending on context) rather than be maximally paranoid all the time.[1]

But...?

A related category is "speculation". I think the trouble here is that people are unfamiliar with the range it may encompass.

"Speculation" based on leaks from the creator(s) is clearly spoilers, though it depends how common those are, and whether they're specifically leaks about upcoming stuff, or public comments about previous stuff. We maybe need a separate word for the latter, which some people like but some people would want to avoid.

"Speculation" based solely on widely available facts in the source. I think this is normally not spoilers, though a few people still don't like it. Basically, it's normally more about wish-fulfilment from the speculator than any actual information to me.

However, I think there's a category I hadn't previously realised was distinct, which is "Speculation" based on things in the source that are easily missed and/or writing style of the author, where it is likely to reveal new information to the reader, even if that was already implicit in the books they've already seen.

I wonder, do we need another word for that category? It seems like something people who avoid actual spoilers may or may not be happy with. The trouble is, it's hard for the person saying it to tell the difference between "Hey, I just spotted X in the book and now it seems certain" and "Hey, character X and character Y are going to get together in Luv and that's for certain because I really really want it to be true" because both seem certain to them.

[1] *thinks* Didn't someone say there was a book they wanted to recommend to me when I'd forgotten what inspired them to suggest it, because that itself was a spoiler? If so, I've forgotten, so... :)
jack: (Default)
I was recently debating in another journal about new suggestions for internet filtering, ostensibly to prevent children seeing child-inappropriate sites. This is normally met with -- imho justified -- cries of doom. However, it does seem likely that there would be ways to approach it which would actually do some good -- if you, as a reasonably technical aware person, were proposing something, what would it be?

Suggestions:

* Not support political censorship
* If it requires a large investment of manpower (eg. great firewall) be upfront about where that comes from
* Should fulfil stated purpose of allowing concerned non-technical parents to protect their children from inappropriate content to at least some extent
* Should not be a massive expensive unworkable pointless joke
* Should be clear if it will work a country at a time (probably not) or be a small but incremental improvement over large classes of website.

Whatever the government is thinking about is almost certainly unworkable. But if there were something NOT ridiculous which could be suggested instead, that would actually be better than just "it doesn't work", or at least make clear to people who DO want a solution that it may be expensive.

It might even have positive side effects if (eg) pure spam domain names were caught in the crossfire.
jack: (Default)
This question wasn't one of the "writer's block" prompts on LJ, but it might as well have been. But it completely baffled me. I understand what it's TRYING to say, but I don't think it IS saying what it's trying to say. The suggested answers were "ring the number", "confront your partner", "trust your partner", and "respect your partner's privacy".

I think there's a cultural stereotype of someone arranging a clandestine romantic reception with someone, and scribbling down a phone number to do so. And that if you ARE, for whatever reason, suspicious that your partner is betraying your trust in some way, you have to know how to deal with that. Whether to automatically respect their privacy? And/or trust they are NOT betraying your trust? And/or talk to them about it, because whether the lack of trust is your fault or theirs, it should be resolved, not buried? Or to surreptitiously lay your fears to rest without bringing them up. Unsurprisingly I'm a big believer in (a) privacy and (b) communication.

Firstly, I'm so used to a mixed-sex social group that, even though I know some friends have relationships where it's understood neither have private meetings with mutually attractive members of the opposite sex, it's just normal for everyone I know, so there isn't a leap from "coffee" to "aha! must be infidelity".

Secondly, the thing that most boggles me is the leap from "phone number" to "clandestine meeting". I have LOTS of phone numbers on bits of paper, but they're all for things like plumbers, and job applications, and people I might want to call in an emergency if my phone runs out of battery while I'm abroad. I'm failing to make the leap from "spoke to another human being remotely" to "illicit sex".

Further, even if my lover or I DID meet up with someone for an unspecified reason, the overwhelming liklihood is that it's not private, we just didn't have anything interesting to say about it. It's healthy to have some privacy in a relationship, but there's generally some sort of cue as to when someone would LIKE something to be private and "spoke to them on a phone" is normal to wonder who it was, rather than assume it's a dark secret.

I understand where the question writer was coming from: they were trying to say, are you used to the sort of casual relationship where suspicion is normal and/or justified, or not, and laudably trying to promulgate trust and boundaries in relationships. But they just seemed to completely miss anything where that would apply to me.
jack: (Default)
In Rainbows End Vernor Vinge describes an example of Augmented reality, where everyone wears VR glasses or contact lenses and see the real world overlaid with helpful informational popups, virtual characters, improved architecture, or alternative fantasy landscapes with gryphons wherever a bus is, etc.

Other authors have taken the idea further, and assume people will move permanently in a semi-virtual world overlaid on reality. Others have taken the idea less far and imagined only occasional non-realistic information pop-ups.

When I read this, I imagined it being in a futuristic future 30-100 years ahead. But now I suddenly realise that with google street view we could buid it *right now*. Not with fully-fledged alternate worlds and full-time immersion (which may well be a red herring), but something with the same basis. It seems like there are notable engineering challenges left but not necessarily any _conceptual_ challenges. Imagine needing:

1. A smart-phone with GPS which can find all google streetview images within (?) metres and let the user scroll between them
2. A wiki-like system for creating (one or multiple) overlays of streetview image that can be edited from a computer
3. Lots and lots of bandwidth

3. Image matching to turn an image from the phone's camera into the corresponding overlay
4. Separate overlays for different purposes, eg. one designed for owners of property depicted, one for a community "decorate the world to look like the discworld" project, one for friends-of-friends-of-friends, one for travel guides, one for everyone etc.
5. Automatic alerts for various information.

Imagine being able to just hold your smartphone up to a restaurant and on the screen see the same thing, but with "warning, overpriced" scrawled on it or up to the colleseum and see someone's painting of it as the original, or up to a complicated junction and see a big highlight on the correct path to take!

Obviously that's a lot of work, there's no reason for it to happen like that, but it feels possible, which is scary in itself!

And if it DID work, it would be easy to get people to submit further photos of streets (to cut the dependency on google) and of countryside, interiors, etc.
jack: (Default)
Have you ever said "I love you" by accident? I mean, I'm sure I've said it unwisely too, but I was thinking of through a verbal slip. I think I have twice. (1) hanging up the phone when talking to one of my best friends (male), and automatically signing off as if I were talking to my significant other or mother. (2) I remember something similar of mentally slipping at primary school and addressing one of the teachers as if they were mum, although I can't remember what I said (conveniently, she didn't hear). But I just imagine what drama could have ensued if I were in a work of fiction :)
jack: (Default)
I now present a step-by-step guide to turning "society isn't static" into a news report.

1. Report that participation in X is declining.
2. Mention that X experienced resurgences in 18XX, 19XX, 19YY, etc.[1] but young people think what old people do is silly.
3. Make tongue-in-cheek generalisations about the character of various nationalities.
4. Say that the name "supposedly" derives from blah blah blah plausible-sounding etymology[2]
5. Have a companion opinion article that wants to say "some change is inevitable" but instead provocatively phrases that as "good riddance".
6. Say X could be dead in [horizon of future] years.

It's not a bad article, it's just the same one that's written whenever any change happens. You can predict it all from the first line.

[1] To be honest I was pleasantly surprised with that level of research :)
[2] I was astounded by that level of disclaimer. Maybe we were too quick to postulate the death of print journalism, or maybe people griping about linguistic reporting had some effect!
jack: (Default)
In golf, low scores are good, and there is a term "par", meaning the average expected number of shots to pot a ball in a particular hole: if your number of shots is below par, that's good, and above par, that's bad.

For a long time non-golf metaphoric uses of "par" bothered me. Eventually I decided "below par" could be used to mean (or correspondingly, "above par" the opposite) either numerically lower than average, or worse than average.

This has the advantage that it makes sense to people both ways round, but the disadvantage that the meaning has to be inferred from context. Are we ok with this, or should we attempt to recapture "below par" to mean "worse than average" or even "both worse and numerically lower higher than average"? Was it ever used that restrictedly?
jack: (Default)
[1] Does it bug anyone else that in MS Office, "redo (of an undo)" is also "repeat last action"? It may be just what I'm used to, they don't feel really synonymous to me, though I can see how they could be viewed like that.

I'd prefer it if they were different shortcuts, so I can redo a bunch of actions without overshooting and splatting a whole bunch more stuff by accident. But then if you have difficulty remembering shortcuts, it might be easier to remember/discover the other one if it's linked to the first one you know?

The lift

May. 31st, 2007 02:43 pm
jack: (Default)
Our building has two flights of stairs. Any more, and using the lift would seem entirely justified. When it only had one, I never bothered. Now I do either, depending what I feel like at the time.

But oddly, I go down the lift, but almost never come up in it. Which is backwards, because the lift naturally rests at the bottom, so going down you have to wait for it to come up. I think going up feels more like cheating :) Or maybe because standing around in the lobby feels stupid, but at the top its on its own corridor.

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